I picked up The Eternal Smile this past weekend as part of my effort to fill in some gaps in my
graphic novel reading. Published back in
2009, it was a collaborative effort between cartoonists Derek Kirk Kim and Gene
Luen Yang, lauded authors of breakout works Same
Difference and American Born Chinese,
respectively. As a fan of Kim’s elegant
work on Same Difference, The Eternal Smile was a must-read for
me.
The Eternal Smile is a collection of
three short stories, only loosely linked by thematic elements: each story
features protagonists struggling to derive solace and personal strength from
fantasy, even while realizing that it can only be a temporary refuge from
adversity.
Our first
story, “Duncan’s Kingdom,” introduces the eponymous young knight, who is on a
quest to avenge the slain king and win the hand of his daughter, a lovely
princess. Duncan seeks his vengeance in
the Swamp Lands, where the Frog King presides with a firm, if slimy and webbed,
grip. Thereabouts is where the story
starts to dive into its jarring plot twist, where Duncan starts to link
anachronisms in his medieval kingdom (in this case, soda bottles) to his
perspective on his quest, his princess, and himself.
The second
story, “Gran’pa Greenbax and the Eternal Smile,” begins as a satirical take on
1940’s children’s comics and, halfway through, abruptly turns into something
else entirely. We begin with a wealthy frog
embarking, along with his twin granddaughters and his bumbling assistant, on
yet another profit-gathering adventure (very like Scrooge McDuck, yes?). The tone of the story shifts dramatically
when Gran’pa Greenbax’s assistant introduces him to the “eternal smile,” a disembodied
grin hovering, Cheshire Cat-like, in the sky.
“Urgent
Request,” the last story in the trio, is really the reason to pick up The Eternal Smile, however. While Kim’s art is crisp and beautiful
throughout, it’s at its very best here, and Yang’s writing is at its strongest
in this understated story. “Urgent
Request” follows Janet Oh, IT office drone, as she suffers a series of quiet personal
and professional defeats with no sign of triumph visible on the horizon. When Janet receives an email from a Nigerian
prince begging for her financial assistance, she does the unexpected, and
responds. The story is rendered in
subdued blues and inky blacks, apart from a brief and stunning series of
watercolors towards the story’s end.
Having read
Kim’s and Yang’s later works prior to reading The Eternal Smile, I admit that I expected an equally ambitious
effort. While The Eternal Smile is a more unassuming outing for both authors,
it’s certainly worth picking up. At 170 pages, it makes for a quick read, with beautiful art and able storytelling throughout.
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